{"id":73,"date":"2007-05-01T01:50:23","date_gmt":"2007-05-01T06:50:23","guid":{"rendered":"http:\/\/scripts.mit.edu\/~zong\/wpress\/?p=73"},"modified":"2007-05-01T02:14:29","modified_gmt":"2007-05-01T07:14:29","slug":"homophonic-characters","status":"publish","type":"post","link":"https:\/\/blog.yhuang.org\/?p=73","title":{"rendered":"homophonic characters"},"content":{"rendered":"<p>In the realm of restricted composition, there is Ernest V. Wright&#8217;s <u>Gadsby<\/u>, which avoids the most common letter &#8216;e&#8217; in English.<\/p>\n<p>In Chinese, there is this elementary passage which plays on the homophone issue of spoken Mandarin Chinese. Every character in the entire passage is pronounced &#8220;shi&#8221; (with varying tones), but nevertheless at this level the passage would make no sense if recited. But, written in the Classical Chinese <em>idiom<\/em>, the passage makes perfect sense when read visually (and isn&#8217;t particularly difficult to comprehend even for a modern reader).<\/p>\n<p>\u300a\u65bd\u6c0f\u98df\u72ee\u53f2\u300b<br \/>\n\u77f3\u5ba4\u8bd7\u58eb\u65bd\u6c0f\uff0c\u55dc\u72ee\uff0c\u8a93\u98df\u5341\u72ee\u3002\u65bd\u6c0f\u65f6\u65f6\u9002\u5e02\u89c6\u72ee\u3002\u5341\u65f6\uff0c\u9002\u5341\u72ee\u9002\u5e02\u3002\u662f\u65f6\uff0c\u9002\u65bd\u6c0f\u9002\u5e02\u3002\u6c0f\u89c6\u662f\u5341\u72ee\uff0c\u6043\u77e2\u52bf\uff0c\u4f7f\u662f\u5341\u72ee\u901d\u4e16\u3002\u6c0f\u62fe\u662f\u5341\u72ee\u5c38\uff0c\u9002\u77f3\u5ba4\u3002\u77f3\u5ba4\u6e7f\uff0c\u6c0f\u4f7f\u4f8d\u62ed\u77f3\u5ba4\u3002\u77f3\u5ba4\u62ed\uff0c\u6c0f\u59cb\u8bd5\u98df\u662f\u5341\u72ee\u3002\u98df\u65f6\uff0c\u59cb\u8bc6\u662f\u5341\u72ee\uff0c\u5b9e\u5341\u77f3\u72ee\u5c38\u3002\u8bd5\u91ca\u662f\u4e8b\u3002<\/p>\n<p>This is one demonstration that written Chinese can hold significant semantic content beyond phonetic value, a mechanism that has been key for tying together diverging spoken dialects over a thousand years.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the realm of restricted composition, there is Ernest V. Wright&#8217;s Gadsby, which avoids the most common letter &#8216;e&#8217; in English. In Chinese, there is this elementary passage which plays on the homophone issue of spoken Mandarin Chinese. Every character in the entire passage is pronounced &#8220;shi&#8221; (with varying tones), but nevertheless at this level [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1520,1524,1523,1145,775,1519,1521,1522,343,1518],"class_list":["post-73","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-chinese-idiom","tag-gadsby","tag-homophone","tag-issue","tag-letter","tag-mandarin-chinese","tag-phonetic-value","tag-semantic-content","tag-sense","tag-spoken-mandarin"],"_links":{"self":[{"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=\/wp\/v2\/posts\/73","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=73"}],"version-history":[{"count":0,"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=\/wp\/v2\/posts\/73\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=73"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=73"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.yhuang.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}