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	<title>Some stuff &#187; period instrument</title>
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		<title>classical period music on classical period instrument</title>
		<link>https://blog.yhuang.org/?p=173</link>
		<comments>https://blog.yhuang.org/?p=173#comments</comments>
		<pubDate>Fri, 27 Mar 2009 17:05:14 +0000</pubDate>
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				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[classical period music]]></category>
		<category><![CDATA[color contrast]]></category>
		<category><![CDATA[fortepiano]]></category>
		<category><![CDATA[instrument]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[period]]></category>
		<category><![CDATA[period instrument]]></category>
		<category><![CDATA[piano sonata]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[Sonata]]></category>

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		<description><![CDATA[Melvyn Tan plays the same Beethoven Piano Sonata No. 23 discussed here on the fortepiano with, I believe, non-equal temperament tuning, too. This is quite amazing, with its clarity and register color contrast that can only be approached with deliberate care in that video by Barenboim. This recording actually makes the second movement make sense [...]]]></description>
			<content:encoded><![CDATA[<p>Melvyn Tan plays the same Beethoven Piano Sonata No. 23 <a href="?p=159">discussed here</a> on the fortepiano with, I believe, non-equal temperament tuning, too. This is quite amazing, with its clarity and register color contrast that can only be approached with deliberate care in that video by Barenboim. This recording actually makes the second movement make sense finally.<br />
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