Written a while ago, revised it recently. Some voice crossing, welp.

Also, this. Can’t believe from version 2.10.33 to 2.18.2, Lilypond changed the base of relative pitch notation and removed a bunch of definitions syntax.

There is also a piano version, dedicated to a friend who passed.

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By art music I mean contemporary classical music. I could say that everything is wrong with it, but that’s probably too glib. Instead I’ll break it down into progressively deeper reasons.

1. The soundscape
Noise, texture, gesture over pitch, rhythm, harmony. You thought serialism was information poor. Well contemporary music is possibly worse.
(Read the article)

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果树边，如梦如幻；漫步中，似近似远。

1.

2.

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22/398, 29/271, 511

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My favorite composition so far, on a theme by cw.

…and a mechanically re-arranged brass version

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in three movements

1.

2.

3.

(Read the article)

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Rhapsody on Chinese Themes

The seemingly celebratory language is farcical. It is in fact a most depressing and suffocating piece.

Terribly orchestrated in this draft, but the instrumentation outline is there.

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Melvyn Tan plays the same Beethoven Piano Sonata No. 23 discussed here on the fortepiano with, I believe, non-equal temperament tuning, too. This is quite amazing, with its clarity and register color contrast that can only be approached with deliberate care in that video by Barenboim. This recording actually makes the second movement make sense finally.
(Read the article)

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it is what it is

The Quantum Leap synthesizer sounds are commendable, but take a Herculean effort to program well.

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